Combining drum machines & samplers with acoustic drums

Abstract

The aim of this thesis was to explore the differences and similarities between electronic sequences and human played percussion instruments, and how these two can co-exist. The hypothesis before studying and conducting the experiments was, that the combination of electronic rhythms and human per-formed percussion can introduce creative approaches to songwriting and per-formance in a band environment.

The thesis consists of a theoretical and a practical part. The theory part in-cludes a brief history of drum machines and samplers, and a basic explanation of how they work. The use of drum machines and samplers were studied through associated literature such as drum machine manuals, and interviews of artists and producers. Furthermore, different approaches to the matter were gathered from recorded examples of popular music. In the practical part of this thesis, I examined a few selected songs from two projects I have been working with, in relation to the hypothesis and theoretical background. These examples were then deconstructed and discussed through analysing how well they suc-ceeded from theoretical standpoint as well as from the practical viewpoint.

The research and practical experiments of this thesis supported the hypothesis that drum machines and acoustic drums can be combined both in performance and as a compositional tool. This method opens up possibilities to implement more electronic aesthetics to the traditional band playing, as well as act as an inspirational tool in songwriting.